The Villain’s Theatre updates The Changeling to make it about a young woman driven to extreme action because of male power structures. As a Jacobean tragedy, the play set in a madhouse is full of murky morality, murder, treachery and sexual appetite. The protagonist Beatrice wants to get rid of her father who stands in the way of her marrying a gentleman she fancies. To do so she leads on […]
Labrador Wave, (close up), Wesley Harris, 12×17.6×13.5cm, sterling silver, fine silver, copper, 14k rose gold, 14k white gold. Harris gives a talk today (Sunday), 1:30 p..m. In the beginning there was a red jasper Chinese ring. This hundred-year-old ring that Wesley Harris found among his late mentor’s things launches Mentor & Metalsmith: The Silver Art of Arthur Brecken & Wesley Harris, at the Mary E. Black Gallery, close to Pier […]
Stewart Legere in Tom at the Farm, the Atlantic Canadian premiere of Michel Marc Bouchard’s drama, at the Bus Stop Theatre, Halifax, today and Sunday, 4 and 8 p.m., with $5 rush tickets for any LGBTQ+ folks five minutes before every show. (Tee Johnny) The U.S. elected its first openly gay governor Tuesday and, this weekend in Halifax, there is a quadfecta of queer storytelling with three plays and one […]
Hugh Thompson as Costas and Francine Deschepper as Sandra in the premiere of Mary Vingoe’s Some Blow Flutes, at the Bus Stop Theatre, Halifax, through Nov. 4. (Stoo Metz) I am at an age when – like many people – I have raised a teen, cared for a parent with Alzheimer’s and lived with grief in the loss of both parents. SO, I needed a lot of Kleenex for Mary […]
(All photos by Grace Leammler) REVOLUTION, at the Mary E. Black Gallery through Nov. 4, is an intriguing, imaginative and powerful exhibit by Craft Nova Scotia members. For this juried show the province’s top artisans explored the many intrepretations of the word revolution. The 22 works range from the astonishingly-exquisite song sparrow’s nest of orbiting silver wire by jeweler Elizabeth Goluch to ceramic artist Carol Morrow’s quilt-inspired, revolutionary- red, text-patterned […]
Colleen MacIsaac as the thwarted scientist Kate is framed by, left, Christine Daniels as Grace and Mauralea Austin as Alice in Matchstick Theatre’s production of John Mighton’s The Little Years, on Oct. 13 and 14, 2 and 8 p.m., at the Bus Stop Theatre. (Samm Fisher) Given the idea — or hope — that young women today can do anything they want with their lives, John Mighton’s The Little Years […]
Comfort food meets scratch and sniff technology in Emily Lawrence’s playful, poignant art exhibit about Alzheimer’s at the Craig Gallery, Alderney Landing. The viewer steps on foot-shaped pieces of shag carpet, as cozy as old knitted slippers, to look at luscious photographs of 1950s and 1960s home-kitchen favourites that smell, when scratched, like apple pie, or birthday cake, or fresh white bread just out of the oven. Lawrence, exhibiting Scratch […]
Rachel Hastings as Wendy receives a potato from Amanda LeBlanc as Mona in The Bitterest Time: The War Story of Mona Parsons, by Andria Hill-Lehr and Sarah Jane Blenkhorn. (Bruce Dienes) The Bitterest Time: The War Story of Mona Parsons is a powerful, deeply affecting play about the resilience of the human spirit as two women struggle to survive in a Nazi prison cell. Thanks to Wolfville writer Andria Hill-Lehr, […]
A merry band of reprobate actors and producers in Shakespeare in Love, Neptune Theatre’s rollicking, witty season-opener, on stage to Oct. 7. (Stoo Metz) Neptune Theatre’s popular new artistic director Jeremy Webb makes the winter of Atlantic Canadian actors’ discontent glorious summer with his first season-opener. He casts local and homegrown talent, instead of importing from Toronto, and he casts inclusively with African-Nova Scotian and Asian actors. But the play’s […]
shalan joudry, left, and Matthew Lumley perform in joudry’s fireside play Elapultiek, commissioned by Two Planks and a Passion Theatre, first staged at the Ross Creek Centre for the Arts, now touring Nova Scotia. (Macky Schwartz) Being non-indigenous, the experience of seeing the Mi’kmaw play Elapultiek is both illuminating and warming. That’s not just because it’s told around a blazing fire with the croaking ravens, the wind, the trees and […]
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